However they insisted on us making some 'demos' of the upcoming record - something we'd never really done before - so they and the new producer could hear what they were going to be working with. So we hired a place called 'Rich Studios' in the Sydney for a day. We set up at lunchtime and basically played the album from start to finish recording everything in one take with minimal overdubs. I think the recording took about 6 hours and the mixing about 4. We went home with the whole thing finished about 11pm the same evening. I kept thinking this is how they made albums in the sixties!
The recording of this Album in L.A. is another story but let’s just a say a lot
of thing got changed from the original demos. Some were just natural differences as
the songs evolved, some were complete restructures. Anyway the original demo -
which I though was lost long ago (thanks Steve!) - recently turned up and I
thought it was worth posting a couple of the tracks. I guess it sounds a lot
more like it would have if we had continued with the Younger/Trafalgar set-up - not necessarily a bad thing!
Hey Brett,
ReplyDeleteJust when you think no-one's listening.
Thanks for posting those demos. That's amazing to hear the early workings of those songs.
I'm just digging back and finding stuff and adding a whole lot of what you did over the years that I missed then ....to my playlist now.
all the best and thanks
Bruce
Hi Brett,
ReplyDeleteAny chance of this album getting reissued, just like 'Free Dirt', 'Lost' and 'Doughboy Hollow'? It's very underrated! It would be great to see it in print again.
Cheers,
James.
Hey Brett,
ReplyDeleteWould it be possible to post the other demos from the album Every Brilliant Eye? I feel like 'Every Brilliant Eye' is similar to 'Free Dirt' in terms of unity and continuity on the first side, and something lighter and more diverse on the other side. Two sides, two atmospheres. Reflecting your live performances, one night extremely wild, and the next day more calm, softer, and psychedelic. I can't forget those years from 1986 to 1990 when we followed you on tour in France. Thank you for these moments of pure and intense emotions.
Best regards, manu