We did a lot of things differently when we came to record Every Brilliant Eye
in 1989. For a start we had two new members - John Hoey on Keyboards and Steve
Clarke on Bass. We were also thinking of recording with a different producer
and engineer. Alan Thorne and Rob Younger had produced all of our stuff to that date, and apart from the very first single everything had been recorded at Trafalgar studios in Annandale . It’s not that we
were unhappy with what we had achieved - I think we just wanted a change and
wanted to stretch ourselves by trying to work with someone new. An L.A.
producer, Jeff Erycih, had expressed interest in working with us. He had done a
number of things we'd liked - The Gun Club, The Plimsouls, etc - and we had new
record company (Beggars Banquet) who were willing to fund us recording
Overseas so we went for it.
However they insisted on us making some 'demos' of the upcoming record -
something we'd never really done before - so they and the new producer could
hear what they were going to be working with. So we hired a place called 'Rich
Studios' in the Sydney for a day. We set up at lunchtime and basically played the album from
start to finish recording everything in one take with minimal overdubs. I think the recording took
about 6 hours and the mixing about 4. We went home with the whole thing
finished about 11pm the same evening. I kept thinking this is how they made
albums in the sixties!
The recording of this Album in L.A. is another story but let’s just a say a lot
of thing got changed from the original demos. Some were just natural differences as
the songs evolved, some were complete restructures. Anyway the original demo -
which I though was lost long ago (thanks Steve!) - recently turned up and I
thought it was worth posting a couple of the tracks. I guess it sounds a lot
more like it would have if we had continued with the Younger/Trafalgar set-up - not necessarily a bad thing!